This is a bat, a symbol that was part of Güell family's coat of arms, and on top the omnipresent pigeon, that seems to be some sort of evil partner watching me from his master's shoulder, sorry, wings. She may not harm anyone but she did cover the historic figure with all her glorious s***. The house, belonged to Colonia Guell's secretary (remember Colonia Guell was an industrial estate in Santa Coloma de Cervelló, near Barcelona). It was founded by Eusebi Güell i Bacigalupi in 1890. Güell was a wealthy man and his wife Isabel López Bru, was the daughter of Antoni López i López, first Marques of Comillas who was also a very rich man. Güell ran important textile factories in Barcelona but those were hard times for the sector. To be competitive, especially with the British industry, workers had to produce more for the same money or less. So people started to get organized and to claim for their rights and Güell decided to build a better place out of the city where workers could live around the factory and integrate themselves more in the company. He managed to do so for some time but trade unions and their claims arrived to Colonia Güell in the end.
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Showing posts with label colonia. Show all posts
Showing posts with label colonia. Show all posts
April 25, 2008
The Bat in Colonia Guell At The Secretary's House
This is a bat, a symbol that was part of Güell family's coat of arms, and on top the omnipresent pigeon, that seems to be some sort of evil partner watching me from his master's shoulder, sorry, wings. She may not harm anyone but she did cover the historic figure with all her glorious s***. The house, belonged to Colonia Guell's secretary (remember Colonia Guell was an industrial estate in Santa Coloma de Cervelló, near Barcelona). It was founded by Eusebi Güell i Bacigalupi in 1890. Güell was a wealthy man and his wife Isabel López Bru, was the daughter of Antoni López i López, first Marques of Comillas who was also a very rich man. Güell ran important textile factories in Barcelona but those were hard times for the sector. To be competitive, especially with the British industry, workers had to produce more for the same money or less. So people started to get organized and to claim for their rights and Güell decided to build a better place out of the city where workers could live around the factory and integrate themselves more in the company. He managed to do so for some time but trade unions and their claims arrived to Colonia Güell in the end.
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June 26, 2007
Guell Crypt: Caprice Supreme of Architecture
A supreme caprice of architecture: the art nouveau or modernist ceiling at the entrance to the crypt in Colonia Guell by Antoni Gaudi, who had been commissioned by Eusebi Güell the prosperous catalan businessman. Robert Hughes, art critic for Time, recently said he hates Sagrada Familia but loves Colonia Guell, the place where the crypt is. Of course we can object to that if we get carried out by the grandeur of the cathedral. Besides, experts see what we cannot see, no wonder they've been studying for years, although what we understand by art is a concept of man and not a law of nature so no one has the final truth. Anyway, it was about time someone cast a shadow of doubt over stereotypes concerning our city. I suggest you read the book by Robert Hughes: Barcelona. Here is a previous post about the Crypt at Guell Colony.
May 03, 2007
Colonia Guell: Windows - A Futurist Vista
These windows with futurist design at the crypt in Colonia Guell, Barcelona are more credible in a manga film, an avant-garde video game or a scifi illustration than drawn from the mind of a visionary architect in the XIX century. Gaudi in his constant search for perfection, beauty, divine inspiration and architectural challenges came out with these sort of armored skylights to absorb as much natural light as possible. The impossible lines of the building, the innovative stained glass work inspired in natural themes, the odd shape of the windows confirm the wonderful, almost supernatural, futurist vista of Gaudian architecture.
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