Barcelona Photoblog

February 23, 2007

Absinthe Tête - à - Tête





How odd can a post about Barcelona be? How can you relate every single image you capture on those streets with the city? Well, sometimes it really gets tough. Of course you can always mention the place- carrer Princesa to be exact - and the neighborhood - Barri de La Ribera (next to Barri Gotic) -. But how do you make a liquor store pop up in the middle of the story? I don't know. I just wanted to take a picture of that little devil on the label of an Absinthe bottle, I just wanted the emerald colors of that spirit in my picture. Fortunately, it turned out that Absenta has a lot of history behind, that it originated in Switzerland, that it was some kind of elixir depicted as as an addictive, psychoactive drug in the XIX century and extracted from Absinth Wormwood, a medicinal plant. It became very popular in the Parisian district of Montmartre so it is commonly associated with artists. It was banned in the USA and Europe in the 20s and manufactured again by the end of last century. So you see, it is trendy, you can buy it right now in Barcelona, it was related to art and I was able to show it. I can't believe my luck. I just wanted that little green devil after all!

Update:


Absinthe and its Relationship with Artists

Absinthe is a highly alcoholic distilled spirit that has been associated with many notable artists and writers over the years. With an anise-flavored bitterness and purported psychedelic effects, absinthe has developed a reputation as a mysterious, dangerous, and addictive drink linked to creativity.

The Origins of Absinthe

Absinthe originated in Switzerland in the late 18th century. It is derived from botanicals including the flowers and leaves of Artemisia absinthium ("grand wormwood"), green anise, sweet fennel, and other medicinal herbs. The ingredient wormwood contains thujone, which was believed to be responsible for absinthe's purported effects. Modern scientific analysis has shown the thujone levels in authentic absinthe to be far lower than early estimates and unlikely to cause hallucinations. Nonetheless, the mystique and air of taboo created by these unfounded controversies contributed to absinthe's reputation as an intoxicant for artists and writers.

In the 19th century, absinthe grew in popularity and became ingrained in café culture in France. It was nicknamed "la fée verte" (the green fairy) and often featured in Impressionist paintings. Absinthe's high alcohol content (45–74% ABV) and role as an inexpensive recreational drink contributed to its popularity among young bohemian artists and writers in the late 1800s.

Controversy and Bans

At the turn of the 20th century, absinthe became controversial and was blamed for psychiatry issues, criminal behavior, and corrupting youth. Critics pointed to its frequent consumption by creative misfits as evidence of its potential dangers. The powerful wine industry also spread concerns about absinthe to help curb competition. This led to bans in many European countries starting in the early 1900s.

As mentioned above, Thujone was thought to cause psychedelic effects and was cited as the reason for absinthe's hazards. However, modern analysis shows thujone levels were too low to cause such effects.

Relationship with Artists and Writers

Many influential creative figures of the late 19th and early 20th century in France consumed absinthe, adding to its cultural mystique. Prominent artists like Edgar Degas, Henri de Toulouse-Lautrec, and Pablo Picasso depicted absinthe in their works, often focusing on its relationship to bohemian café society. Henri de Toulouse-Lautrec famously drank absinthe daily and it served as inspiration for his Postimpressionist paintings of café interiors.

Noted absinthe drinkers among the literary set included Charles Baudelaire, Arthur Rimbaud, Paul Verlaine, and Ernest Hemingway, who drank it daily while writing in Paris. Many are the paintings that make reference to absinthe. This association of absinthe with avant-garde writers and artists enhanced its perception as a creative elixir.

While many artists openly used absinthe, letting it influence their works, experts today dispute the notion that it has psychedelic properties inspiring unconventional thinking. The effects were likely stupefying rather than mind-opening. However, the aura of illicitness gave absinthe an alluring reputation for writers and artists going against the grain creatively.

Modern Revival and Consumption

Starting in the 1990s, revised EU laws led to a resurgence of absinthe as studies showed it was no more dangerous than other spirits. Traditional distilling methods revived, leading bars and distilleries to sell premium, authentic absinthe. The drink became popular once more, especially among creative communities drawn to its legacy.

Contemporary absintheurs have moved away from the bohemian excesses of the past. While absinthe retains its aura of creativity and decadence, devotees today focus more on savoring its flavors. In parts of France and Switzerland, absinthe rituals include dripping ice water over a sugar cube atop a slotted spoon into the spirit. This gradually dilutes and brings out complex herbal tastes.

Legacy in Art and Culture

Regardless of absinthe's actual effects, its green fairy mystique endures as a symbol of creativity, danger, and early counter-culture. The impassioned artists who embraced it continue to fuel absinthe's cultural legacy. For instance, the play "Picasso at the Lapin Agile" fictionalizes Picasso and Einstein meeting in a Parisian absinthe bar in 1904, discussing genius and creativity.

References to absinthe persist in popular culture today, from movies like Moulin Rouge to paintings, songs, and literature. While regulated and safely consumed now, absinthe's aura of unconventionality pioneered by 19th century artists maintains its allure today. The drink's rich history ensures it endures as a creative muse inspiring continued fascination and works of art.

February 22, 2007

Francesc Cambó Monument in Via Layetana, Barcelona

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Today I show you the statue of Francesc Cambó by Victor Ochoa (1997). Cambó was the founder of La Caixa, one of the most powerful banks in Spain. The monument is just in front of the savings bank headquarters in Via Layetana, a 1917 building by Enric Sagnier. I have found this page called Barcelona Virtual with a pano of the little square and some other interesting 3D tours. It is just another sculpture but I liked the way the omnipresent pigeon added proportions to the statue in absence of other references in the image.

February 21, 2007

Modernist Letterbox at Casa de L'Ardiaca, Barri Gotic

Marble Letterbox, Casa de l'Arcadia in Barri Gotic, Barcelona
Letterbox, Casa de L'Arcadia, Barri Gotic, Barcelona

Off we go in an imaginary trip along the streets of Barri Gotic (Gothic Quarter).

You are facing Barcelona Cathedral, climb the stairs and turn right on a narrow street called Santa Llúcia.

Suddenly you are right in front of Casa de l’Ardiaca, the Archdeacon's house. The building where the Municipal History Archives are since 1921, is made of two houses, being the other the Deacon's house or Casa Degá.

The first buildings date back from the XII century and were remodeled into a palace by Lluis Desplà, the Archdeacon, in 1520.

As a curiosity we should say that it was built against the Roman wall which you can see from the ground floor and that the interior patio lodges the famous fountain (used for Eucharist) with the floating egg known as l'Ou com balla in Catalan. On the façade of the Flamboyant Gothic palace we can admire this marble letterbox created by the Modernista architect Lluis Domenech i Montaner commissioned to decorate the building in 1902.
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